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Oxford Poetry

       



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Title: Oxford Poetry
       1919

Author: Various

Editor: Thomas Wade Earp
        Dorothy Leigh Sayers
        Siegfried Sassoon

Release Date: November 3, 2015 [EBook #50378]

Language: English


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    OXFORD POETRY

    1919




    _Uniform with this Volume_

    OXFORD POETRY, 1914 (_Out of Print_)
    OXFORD POETRY, 1915
    OXFORD POETRY, 1916
    OXFORD POETRY, 1917
    OXFORD POETRY, 1918




    OXFORD POETRY
    1919


    EDITED BY
    T. W. E., D. L. S., and S. S.


    OXFORD
    B. H. BLACKWELL, BROAD STREET
    1920


The following authors wish to make acknowledgment for permission kindly
given to reprint: Mr. E. Dickinson, to the editor of _Coterie_; Mr. P.
H. B. Lyon, to the editor of the _Spectator_ ("The Song of Strength");
Mr. W. Force Stead, to the editor of the _Poetry Review_.




CONTENTS


 H. M. ANDREWS (NEW COLLEGE)      PAGE

 SONG                              1

 T. H. W. ARMSTRONG (KEBLE)

 HERITAGE                          2
 WATCHING                          3
 LONELINESS                        4

 P. BLOOMFIELD (BALLIOL)

 TWILIGHT                          5

 VERA M. BRITTAIN (SOMERVILLE)

 TO A V.C.                         6

 H. I. BURT (BALLIOL)

 FROM THEIR DUST                   7

 F. W. BUTLER-THWING (NEW COLLEGE)

 THE TRAMP-SHIP                    8
 PILOT AND CLOUDS                  9

 E. P. CHASE (MAGDALEN)

 SEVEN MISTS                      10

 "I AM CLOTHED WITH FURTIVE LIGHT" 10

 W. R. CHILDE (MAGDALEN)

 LES HALLUCINÉS                   11

 E. A. C. CLARKE (KEBLE)

 FLOWERS                          12

 L. M. COOPER (LADY MARGARET HALL)

 LINES FOR A FLYLEAF OF HERODOTUS 13
 CRUSOE WAS A VAGABOND            14

 ERIC DICKINSON (EXETER)

 THE GARDEN                       16

 B. EDWARDS (LADY MARGARET HALL)

 THE MAN WHO HAS FORGOTTEN TIME   18
 IN A CANOE (OXFORD)              19

 RALPH W. W. FOX (MAGDALEN)

 LOVE WEEPING AMONG THE CROSSES   20
 ON HEARING THAT THE NAMES CARVED UPON AN OLD
 SCHOOL TABLE ARE TO BE REMOVED   22
 THE ENVIOUS POETS                23

 J. B. S. HALDANE (NEW COLLEGE)

 COMPLAINT OF THE BLASPHEMOUS BOMBERS AT BEIT
 AIESSA                           24

 C. R. S. HARRIS (CORPUS)

 SONNET                           25

 B. HIGGINS (B.N.C.)

 GALLIPOLI: AN EPITAPH            26
 EVENTIDE                         27

 H. J. HOPE (CHRIST CHURCH)

 THE PATROL                       28
 THE MONK'S FANCY                 29
 AN ALPINE PICTURE                30

 G. H. JOHNSTONE (MERTON)

 OXFORD IN MAY                    31

 C. H. B. KITCHIN (EXETER)

 SOMME FILM, 1916                 32
 ESCHATOLOGICAL SONNET            33
 EPILOGUE                         34
 RULER OF INFINITE AUSTERITY      35

 JOHN LANGDON-DAVIES (ST. JOHN'S)

 QUITS!                           36

 P. H. B. LYON (ORIEL)

 THE SECRET PLAYROOM              37
 THE SONG OF STRENGTH             39
 THE DESERTED GARDEN              41

 G. A. MOSTYN (BALLIOL)

 LES MISERABLES                   42

 A. S. MOTT (MERTON)

 UMBRA                            43

 K. MOUNSEY (HOME STUDENT)

 TO A LITTLE HOUSE IN OXFORD      44

 R. M. S. PASLEY (UNIVERSITY)

 THE DIVER                        45

 V. DE S. PINTO (CHRIST CHURCH)

 STATION                          46
 SWANS                            47

 H. S. REID (SOMERVILLE)

 A DREAM                          48

 E. RENDALL (HOME STUDENT)

 EPITAPH                          49

 D. L. SAYERS (SOMERVILLE)

 FOR PHAON                        50
 SYMPATHY                         51
 VIALS FULL OF ODOURS             52

 W. FORCE STEAD (QUEEN'S)

 THE VOICE IN THE NIGHT           53

 L. A. G. STRONG (WADHAM)

 AT PUNNET'S TOWN                 55
 DALLINGTON                       56
 EENA-MENA-MINA-MO                57

 D. A. E. WALLACE (SOMERVILLE)

 IMPROMPTU IN MARCH               59
 IN NEW COLLEGE CLOISTERS         60
 THE BEGGAR-MAIDEN                61

 J. L. WING (MAGDALEN)

 LOUIS ONZE                       62




  _H. M. ANDREWS_
  (_NEW COLLEGE_)


SONG

    I met a sage at the break of day,
    And he welcomed me with a smile;
    He spoke his words of encouragement
    And we parted after a while.

    I met a fair lady when all was bright,
    And the sun was burning on high;
    She turned to me with her deep, dark eyes
    And sold herself for a lie.

    I met a child when the world was dark
    And I was drear and alone;
    The child spoke naught,
    But the dark became light;
    The day of glory had come.

    The barren ground shone with splendour high,
    Bare branches dripped with gold,
    And the earth was transformed to heaven,
    Just as the sage foretold.




    _T. H. W. ARMSTRONG_
    (_KEBLE_)


HERITAGE

    Here in my glass is blood of kings,
    The life-blood of a race that lies
    Long dead. The jewels burning in your rings
    Are an Egyptian woman's eyes.

    Your beads are dead bones; even my breath
    Breathes hot words that were others' pain.
    Now these fair things are ours awhile, till death
    Brings us to quiet sleep again.

    Then we shall put our love aside
    For lovers of a later birth,
    And leave to them this body's fragrant pride,
    For jewels, in the heart of earth.


WATCHING

    Midnight at last! And you, I know,
    Are sleeping there
    Peaceful. Stars keep
    Great guard upon you. Calm, and still, and white
    You are. One moment all your pale swift hair
    Is quiet as the night.

    Here in this mud, this beastliness
    Of war, the thought
    Of your soft sleep
    Soothes a tired mind as a rare ointment may
    Comfort a wound, sweet-scented ointment brought
    From strange lands, far away.


LONELINESS

    I watched the moon behind the trees
    Float in a sea of sky.
    The aspen whispers in the breeze,
    The rest is silence now. And I
    Can feel my loneliness around
    Me fall. No human face
    There is. None speaks. Never a sound
    Save whispering leaves in this still place.

    I have two friends, and they are dead,
    Perhaps about their graves
    Are trees that whisper overhead,
    While in the grass the nettle waves.




    _P. BLOOMFIELD_
    (_BALLIOL_)


TWILIGHT

    The day grows fainter, moonlit evening fills
    With calm and cool the lilac-scented land,
    And I feel--were I on the western hills,
    At last, at last, now might I understand
    These mysteries of Life; how things began,
    And why I love my darling as I do,
    And how came longing to the soul of Man,
    And whether Death must sever me from you.
    Ah, hush! A spirit moves abroad, whose veil
    The poets would give all the world to raise,
    But, failing, tell some wistful fairy-tale,
    And laugh, and weep, and go their several ways.
    The birds are sleeping: nay, I do not know
    What's in the twilight, makes my heart beat so!




    _VERA M. BRITTAIN_

    (_SOMERVILLE_)


TO A V.C.

    Because your feet were stayed upon that road
    Whereon the others swiftly came and passed,
    Because the harvest you and they had sowed
    You only reaped at last.

    Tis not your valour's meed alone you bear
    Who stand the object of a nation's pride,
    For on that humble Cross you live to wear
    Your friends were crucified.

    They shared with you the conquest over fear,
    Sublime self-disregard, decision's power,
    But Death, relentless, left you lonely here
    In recognition's hour.

    Their sign is yours to carry to the end;
    The lost reward of gallant hearts as true
    As yours they called their leader and their friend
    Is worn for them by you.




    _H. T. BURT_
    (_BALLIOL_)


FROM THEIR DUST

    Not in their immortality alone
      Live those bright spirits who for honour spent
      Their rich inheritance of years, and went
    Gay-heartedly to meet the wide unknown.

    Not though the fields where their young limbs were strown
      Once more be chartered by the foeman's tent,
      And all the achieving of their tournament
    Be scattered to the winds or overthrown.

    For from their memory and quickening dust
      Shall spring the flashing squadrons of the dawn;
      And they shall set their spears and ride afar
    To seek and battle, thrust and counterthrust,
      For grails from our beclouded eyes withdrawn,
      The champion warriors of a holier war.


ERRATUM.

_For_ H. I. Burt _read_ H. T. Burt, to whom also should be attributed
"Pilot and Clouds" (page 9).




    _F. W. BUTLER-THWING_
    (_NEW COLLEGE_)


THE TRAMP-SHIP

    Sailing over summer seas,
      Seeking ports of rest,
    Dancing with the dancing breeze,
      Host and guest.

    Calmed beside the setting sun,
      Lifeless on the deep,
    Waiting till the halt be done
      And the sleep.

    Driving 'gainst the sullen storm,
      Striking hard the foe,
    Gallant heart and gallant form
      Breast the snow.

    Homeward, homeward in the years,
      All thy pennons fly;
    Bravely onward, smiles and tears,
      Home to die.

_July, 1911._




PILOT AND CLOUDS

    Clouds, little clouds, tell me whither are you going to,
      Spun by the sun of the shearing of the sea?
    "Thither we are bound, where the West Wind is blowing to,
      Off on a holiday, merrymakers we."

    Clouds, merry clouds, will you wait till I may fly to you,
      Share in the frolic of your gay company?
    "Nay, for the West Wind bids us say good-bye to you,
      Save if your chariot be speedier than he."

    Swift are my steeds: at the thunderous career of them
      The high, lone silences that cradle you will flee.
    "Think you our hilarity will tremble at the fear of them,
      We who laugh in thunder and lighten in our glee?"

    Then will I fly to you, dance with you, play with you,
      Hover on your breast where the shadow cannot be.
    "Hurry, brother, hurry, for we may not delay with you,
      Off on a holiday, merrymakers we."




    _E. P. CHASE_
    (_MAGDALEN_)


SEVEN MISTS

    The beauty of the High is not in brilliance
    Nor in a florid sculpturing of stone,
    Nor radiant colours, brave design, smooth stones,
    But the wide curve and placid flow,--and that
    St. Mary's spire and seven twilight mists
    Are hanging over Oxford towers to-night.


    I am clothed with furtive light
    Reflected from that pallid sun
    When it sets, hardly bright,
    Behind Merton tower, daylight done.

    When the moon, silver-hued,
    Through Cowley generated mist
    Tears its way and glimmers nude
    Above Magdalen tower, it keeps tryst

    With that spirit of my soul
    Which would glide through Oxford streets,
    Still, unseen, without control,
    With wide eyes scanning whom it meets.




    _W. R. CHILDE_
    (_MAGDALEN_)


LES HALLUCINÉS

    This is the singing of the sons of Hâli,
    As they stand at their booth-doors when brazen eve
    Covers the city of Chrysopolis
    Like the vast cup of an inverted flower,
    And into the pale blue cope of marble twilight
    Steal up men's souls like incense strange and pure.

    "This is the singing of the sons of Hâli,
    To you, O seraphs, where you lean your breasts
    Upon the perfumed clouds of sunsetting,
    And your huge wings, enormous, like a swan's,
    Alone cover with silver plumes of fire
    Your long sides, strange as pictures in Toledo--

    "O seraphs, with your melting eyes like girls',
    And rosy breasts embosomed in the eve,
    Vouchsafe to us a little rain of coins,
    Of golden sequins tumbling through our sleep;
    Give us of heavenly gold, we have none earthly,
    And stab our souls with seeds of sworded fire."--
    _This_ is the singing of the sons of Hâli.




    _E. A. C. CLARKE_
    (_KEBLE_)


FLOWERS

    Shining, never-thirsty flowers,
    That by the water-side
    Do never plaintive cry for showers
    To damp their local pride.

    Lazy they wag their lovely heads,
    Nodding that way and this,
    Lithe bodies upon mossy beds
    With lips bedewed that kiss.

    The kindly and generous stream
    That gently ripples by,
    An idle, silvery dream,
    Where sleeping fishes lie.

    These delicate flowers of Mary
    Lie long and overgrown,
    While Martha's parched and weary
    Stand in the sun and groan




    _L. M. COOPER_
    (_LADY MARGARET HALL_)


LINES FOR A FLYLEAF OF HERODOTUS

    No lover and no kinsmen pass
    To honour the deep-buried dead.
    The roads are covered up with grass
    That burned beneath th' Immortals' tread.
    No tramp of armed foe is heard,
    Nor bowstrings' twang, nor arrows' hiss,
    Nor sound to scare the nesting bird
    On rocky Salamis.

    Yet runs the Royal Road to-day,
    From Sardis up to Suza town,
    And still above the Rhamnian Way
    The heights of Marathon look down:
    Still from the blue, Ægean wave
    The sea-wind sweeps with keen salt breath
    The hills that saw the Spartan brave
    Comb their long hair for death.


CRUSOE WAS A VAGABOND

    Wise men pray for hearth and home, a comely wife to tend them,
    And dread to feed the little folks that clamber on their knee;
    Their fathers' fields to plough and sow--their old friends to
      befriend them,
    But Crusoe was a vagabond, and ran away to sea.

    He strayed upon the docks of Hull, and smelt the tar and cordage,
    He saw the bales of foreign ware piled high upon the quay,
    He heard the seamen singing, and the outbound ship-bells ringing
    Across the fog and darkness;--and he ran away to sea.

    He might have dwelt by barn and dyke our fathers made before us,
    And dipped his fat sheep yearly in the burn that turns the mill;
    He might have heard the harvest home go up in lusty chorus,
    When the last wain comes lumbering across the moonlit hill.

    But he heard the loud surf thundering against the harbour wall,
    The brown be-earringed sailor-men all swearing on the quay;
    The salt was in his nostrils, and he cared no more at all
    For barn or byre or cattle; but he ran away to sea.

    The boys he knew are grey, old men, and soon their sons shall lay
      them
    To rest beside the little church upon the spur of hill:
    The distant hum of chant and prayers, the feet of them that pray them,
    The sunlight and the blackbirds' song shall be about them still.

    But he's a homeless wanderer from Rio Grande to Malabar,
    And God knows who shall stand by him, or what his end shall be.
    The wheeling gulls shall cry his dirge, the great waves drum his
      burial,
    When his poor old battered body slips into the greedy sea.




    _ERIC DICKINSON_
    (_EXETER_)


THE GARDEN

    Blessed with the green of rains, charged sweet with scent of May,
      The garden paths caressed her as she walked with slow foot-fall;
    Slight was her frame, but took no pressure of decay,
      And age had found age beautiful as when youth gave youth all.
    Far over dreamy meadows bells toll the dying sun,
      And a quiet is on her spirit for the tender drooping balm
    Of the evening filled with perfume the spring has swiftly won,
      And the rising moon that greets her in the garden of her calm.

    The ebony stick has brought her by the phlox and marigold,
      And a dream of one is with her who loved this place the best of all,
    Who was straight and clean of stature as Bayard was of old--
      Who when the drummers beat the fields obeyed the drummers' call.
    His letters breathed a brighter hope than any she had heard,
      Nor any hint he gave to her that for his fairest youth
    Death leapt and chattered daily, and daily was deterred
      From staying all the transient joys that chased across his mouth.

    The mother thrilled with sense of beauty infinite:
      For here it was the lithe, strong arms had pressed her to his breast,
    And his proud mouth had sealed on hers the proudest right
      That lovely tenderness may plan in gardens of the West.
    And so the moon grew white to silver all the lawns,
      While the garden wicket grows more white because a shadow near
    Has come to steal the wakened joy of any further dawns.
      The hand upon the wicket trembles, the vision is not clear

    Of the one woman in the garden who is so quiet and still.
      At last the shadow enters and knows a form has sudden fled,
    And now is lonely weeping upon a haunted hill--
      For with it entered a company of France's hidden dead.
    At the sound of feet she turns, while her heart has made such stir
      That makes her grip her stick more close and head grow more erect:
    She sees a priest's worn cassock, and priests are sore to her,
      For as a child she knew they moved where life's best ships were
        wrecked.

    "Madame, your son is dead," said he, with lowered glance:
      "But he bade them say the lilies yet are strong within the gale,
    He died a hero's death for honour and for France!"
      Then the mother faced and fixed his eyes, but the cheeks were
        drawn and pale.
    "I thank you for these words, for I see God spared him speech
      Before he died, and there are mothers for whom no words atone
    For speech of those they love, and whom no tidings reach.
      I thank you. And now leave me, for I would be alone."

    And there she sits so quiet in the light of the young moon,
      While the flowers are dead, and the fruits are dead along with the
        young life
    That someone sped to the depth of the last dim lagoon.
      But only the priest in the fields of youth hears the requiem guns
        of strife.
    And he knows that strife goes on and on, for ever on and on,
      While the harps of the world shall play no more, nor any more
        shall bring
    The maids and youths to laughter until that the end be won,
      And the eyes of men grow young again, and the heart of the world
        can sing.




    _B. EDWARDS_
    (_LADY MARGARET HALL_)


THE MAN WHO HAS FORGOTTEN TIME

    The ancient man who has forgotten time
    Walks seldom in the hurried city street,
    Where is the man who has forgotten time?
    For we so seldom meet--

    Only sometimes on mornings after rain,
    When feathers from the passing wings of night
    Linger in wide sky spaces after rain,
    I see the strangest sight--

    The houses by the river melt away,
    And there are paths between the silent trees,
    And all the city's uproar melts away
    Into the hum of bees.

    And by the water walks an ancient man,
    Who watches how the swift-tailed squirrels climb,
    And him I know to be the ancient man
    Who has forgotten time.

    I often meet him pacing on the hills,
    Or near flat marshy wastes where no one goes,
    But very seldom will he leave the hills
    Or sea-cliffs that he knows.

    And so I meet him rarely in the town,
    But I can always tell his face again,
    And sometimes I have seen him in the town
    At daybreak after rain.


IN A CANOE (OXFORD)

    So many things you thought you knew
    Are different seen from a canoe:
    On either bank the grass is far
    Higher than other grasses are,
    And all the willows make a roof
    Fretted with branches--not aloof
    Like trees in gardens and in squares
    Which never hit you unawares.




    _RALPH W. W. FOX_
    (_MAGDALEN_)


LOVE WEEPING AMONG THE CROSSES

    Cupid has broken his bow,
    His arrows are shattered and lost.
    Oh, look at him, look at him now,
    His pinions trailing the dust!

    The beautiful boy is sad,
    The glory has left his glance,
    You would say he had never been glad,
    That his limbs did not know how to dance.
    Oh, look at him, look at him now,
    Hugging his broken bow,
    Forlornly he wanders about
    Dreaming forgotten things...
    Nobody heeds him now,
    Nobody hears if he sings.

    Once at his wanton play
    Everyone railed and laughed,
    But nobody laughs to-day
    For love is so far away.

    Beautiful sorrowing child,
    Hugging your broken bow,
    Your eyes grow suddenly wild,
    Anguish is twisting your face...
    So changed from the Cupid's we know,
    The Cupid of dimples and grace.
    Cupid is down on his knees,
    Down in the midst of the crosses;
    His glorious, childish head
    Is bowed on his lovely arms...
    But the young of the world are dead
    And heedless of Cupid's charms.
    Oh, look at him, look at him now,
    The delicate shoulders shake.
    Hugging his broken bow
    Cupid is weeping now.
    Cupid is weeping as though
    His wonderful heart would break.


ON HEARING THAT THE NAMES CARVED UPON AN OLD SCHOOL TABLE ARE TO BE
REMOVED

    Gaze long upon this length of lifeless deal,
    Carved with rude cipher or with ill-cut name.
    Here youthful hands have wrought to set their seal
    Of immortality. No idle fame
    For those too-soon-forgotten names they sought,
    Only that others, seeing them, might say,
    These too were young and here have something brought
    Of youth's high heart, ere going each his way.

    These names, that thus have sung the joyous song
    Of youth's endeavour, now must fade and die
    'Neath the cold malice that doth e'er belong
    To small minds wielding blind authority.
    So youth by age is ever vanquishèd
    And beauty smirched and soiled when youth is dead.


THE ENVIOUS POETS

    You say we are happy, being poets,
    In our poor songs and tawdry tales.
    I tell you it is not true.
    There are those we envy above the gods,
    And they are the painters and carvers.
    With bright colour and cunning line
    They have the power to conjure up before them
    Great visions of all the loveliness they have known.
    A tree, the sea at night,
    A friend,
    The dear face of their belovèd,
    All these they can make live before them
    In colour, in marble.
    But what satisfaction do you think there is
    In a black printed word?
    I tell you we envy the painters and carvers.




    _J. B. S. HALDANE_
    (_NEW COLLEGE_)


COMPLAINT OF THE BLASPHEMOUS BOMBERS AT BEIT AIESSA

    It was not our hand or our fathers' hand,
    Nor mortal malice and the hate of men,
    That drew us to this far disastrous land
    Where the old primal night comes on again.
    Thy hand, O God of battles, and Thy voice
    Drew friend and foe into one net of hell,
    Wherefore Thine angels glory and rejoice,
    Thine enemies shall perish. It is well.

    We who had hoped in vain that for a season
    We might hold back Thy darkness from mankind,
    We who had trusted and obeyed our reason,
    We now are helpless and amazed and blind.
    Thou hast grudged the rich his little hours of pleasure,
    The little things of life that he held dear,
    The worker his fireside and evening leisure:
    Thou hast Thy will. One doom has drawn us here.

    Therefore from this unhallowed desolation,
    Where these, the victims of Thy monstrous lust,
    Half-buried in the mud of their damnation,
    Crumble--how slowly!--into loathsome dust,
    We curse Thee, God, nor shall our sons and daughters
    Fall at Thy footstool as their fathers fell,
    But, tired of tears and loyalties and slaughters,
    Lie down in peace and laugh at heaven and hell.




    _C. R. S. HARRIS_
    (_CORPUS_)


SONNET

"Cum tacet omnis ager."--VIRGIL.

    Oh for the stillness of the midnight hours,
    When all the earth is silent, and the breeze
    Rustles no more the branches of the trees,
    And makes no music in the leafy bowers,
    When Nature sleeps, and all earth's myriad flowers
    Folded in slumber take their dewy ease,
    And hushed is all the moaning of the seas,
    Lulled by the magic of enchanting powers.
    For then the green earth sleeps, and for a while
    Forgets her sorrow, and her heaving breast
    Is sunk in a deep calm and liquid rest.
    And the still waters of the silver sea,
    Bathed in the glory of the moon's cold smile,
    Reflect the splendour of eternity.




    _B. HIGGINS_
    (_B. N. C._)


GALLIPOLI: AN EPITAPH

    The moan of centuries breaks around these shores,
    Whispers of sultry ages, and of woes
    Low-trumpeted against the arch of Heaven....

    A land that bows beneath the crescent moon
    And shrinks within its glinting gaze--is this
    The mausoleum of our nation's dead?
    Yea, for their glory gathers on this strand!
    Mourn not the brave with tears. These pagan hills
    Are touched with sanctity: the Voice of God
    Thrills thro' the barrenness of shrivell'd fields
    And lingers where these warriors lie entombed--
    'Neath the vast solitudes of Asian skies,
    Where sleep they in a hush of eventide,
    The sea their dirge, the stars their monuments!

MELBOURNE, 1917.


EVENTIDE

    A thrush throbs out his mournful melody,
    And shadowy fingers of approaching Dusk
          Clutch vaguely at the trees
          And shroud the purple hills:

    And softly sobbing noon-winds float astir,
    Bedewing tearful kisses on the buds
          That freeze in filmy fold:
          The waters, icy-chill,

    Are gurgling from their depths, and nestling birds
    Stand sunset-splashed, with plumage all dismay'd,
          To join the woeful chant,
          The dirge of waning day.

GIPPSLAND HILLS, 1917.




    _H. J. HOPE_
    (_CHRIST CHURCH_)


THE PATROL

    All night we prowled the stricken No Man's Land,
    And the high stars looked down dispassionate.
    I wondered if they could but understand
    That we poor grovelling things were fighters yet.
    Fighters, O God! Begrimed, intent to kill,
    But starting at all the secret noises near.
    We'd sent our hearts to sleep; but mind and will
    Fought the cold duel with children's night-born fear.
    The haunted silence quenched the stir of fight,
    The tainted wind no word of courage spoke.
    We turned at last: sudden the grass dew-white
    Smelt as it does at home: my heart awoke.
    God sent one bird to sing: the old sun came
    And lit the Eastern skies with orange flame.


THE MONK'S FANCY

    The old monk down by the sea-beach listening,
    Thought that the waves were singing a song,
    And the wheeling gulls in the sea-spray glistening
    Wheeled with the music that bore them along.

    Day after day by the sea-beach dreaming,
    The old monk heard what the sea-song told,
    And he set the tale in the great book gleaming
    With beautiful colours and letters of gold.

    But one word only he set to flame there,
    And naught of the tale but that golden word,
    And sadly said all the men that came there
    That none could know what the old monk heard.


AN ALPINE PICTURE

    The earth beneath this awful snow
    No feet have ever trod,
    These icy peaks could never know
    The smile of any God.
    And as I watch I know again
    Cruel tales I dare not tell,
    Of legions of forsaken men
    Who freeze in Dante's hell.




    _G. H. JOHNSTONE_
    (_MERTON_)


OXFORD IN MAY

    When we have snapped the chain of tranquil youth,
      And run to revel in the loud World's Fair,
    And straddled on the painted roundabouts,
      Clapping our hands at clowns, and horns that blare;

    O heart of mine, when it grows late, and all
      The noisy tents flap dully on the grey
    Shivers of evening, and the Showman locks
      The clamorous booths, and sends the crowd away;

    When we have found how terrible is age,
      And how men piped for us to dance, and we
    Danced, till we caught them laughing through the tune,
      And turned away, sick at their mockery:

    Then in the silent room, with the lamp lit,
      We shall remember the still summer nights,
    The gold moon rising over Magdalen Bridge,
      And how the curving High was gemmed with lights.




    _C. H. B. KITCHIN_
    (_EXETER_)


SOMME FILM, 1916

    For you at least, sweet wanderers in the dark,
    There is no cause to cry from cypress-trees
    To a forgetful world; since you are seen
    Of all twice nightly at the cinema,
    While the munition-makers clap their hands.


ESCHATOLOGICAL SONNET

    Before the final darkness, side by side
        We watched the huge red sun glow in the sky
        Malevolently dim, longing to die,
    As though his dull and sullen face would chide
    Slow-footed time that forced him to abide
        Unnumbered ages in death-agony,
        While at our feet the sea bore sluggishly
    The burden of a salt-encumbered tide.
    No word we spoke, but gazed with solemn eyes
        Where the last sunset slowly passed away
        And left the sky a sheet of endless grey,
    Seeing the world, God's careful sacrifice,
        The victim of an infinite decay,
    And thinking of the worm that never dies.


EPILOGUE

    We are the silk which other limbs have worn,
        Those passive folds admired and kept with care,
        Till fashion changes, and, no longer rare,
    The garment is dishonoured, swept with scorn
    Into the massive wardrobe of the night,
        Where neither hands shall fondle preciously
        Nor eyes shall gaze on us in charity--
    The wasted fabric of an old delight.

           *       *       *       *       *

    The night is huge and rich with hidden song
        Of its eternal victims grandly singing
        A threnody, whose fragrance ever clinging
    To night's embroidery still hands along
        The endless chain of unrepentant years,
        Rejoicing in the gift of human tears.


    Ruler of infinite austerity
    From whom, long listening through ecstatic hours,
    Men seek a spiritual mutilation
    And guidance to the unperturbed serene,
    Yours was the voice at which our grasping hands
    Refrained from clutching at iniquity
    Still warm with flame that licks the roof of hell,
    But having will of us you are transfigured
    With an attractive aureole whose glare
    Is colder than a mist around the moon;
    Wherefore in wisdom meditate on this
    That when outworn incessantly with kneeling
    On penitential stone, the flesh of man,
    Delirious with fasting and sweet wounds
    Self-loved and self-inflicted, cries for peace,
    It is for you the spirit sings with joy
    The chant ineffable of hidden spheres;
    For you it finds delight voluptuous
    In weakness through the curtains of the night,
    --Not for the abstract law which you devise.




    _JOHN LANGDON-DAVIES_
    (_ST. JOHN'S_)


QUITS!

    Beyond the last hill stands a row
      Of poplars sighing,
    Amid the dwellings where dreams go.
      When they are dying.

    One side the stream, a pleasure ground
      Where they carouse;
    On the far side, with yew-trees bound,
      The lazar-house.

    And when the night has riven with stars
      The veil of day,
    I see their drunken half-shapes pass
      By the stream way.

    "O dreams, O guests, who poisoned night
      With leprosy;
    Amid the stream and the moonlight
      Oh, think on me!"




    _P. H. B. LYON_
    (_ORIEL_)


THE SECRET PLAYROOM

(_Graudenz, 1918._)

    To-day has been a holiday;
      From our high room, with dumb desire,
      I have been watching through the wire
    The German boys and girls at play.

    As music, knitting tongues in one,
      To each in his own language sings,
      So echo in their laughter rings
    Of happy voices I have known.

    O children I have loved so well,
      In Hampshire wood or Cornish moor,
      On many a littered schoolroom floor,
    In Surrey garden, Yorkshire dell,

    The friends of long sea holidays,
      Or playmates of an afternoon,
      All you whose memories are strewn
    Like flowers about my ordered ways,

    Here in my lone heart I have made
      A playroom worthy of your love,
      With yellow walls, a frieze above,
    A tall lamp with a golden shade,

    And old prints hung on picture-hooks,
      Red window-curtains, chairs straight-backed,
      An acting chest, a cupboard stacked
    With ragged treasures, story-books

    Jostling the grammars on the shelves,
      A chipped white service set for three,
      A broidered cosy for the tea,
    All, all is there, save you yourselves.

    But should your hearts recall me yet
      By any trick of word or thought,
      Some book I read, some game I taught,
    Then--in that instant of regret--

    Your spirit flies across the sea
      On starry pinions through the night,
      Into my chamber of delight
    Your spirit flies to play with me.


THE SONG OF STRENGTH

    We have washed our hands of the blood, we have turned at length
      From the strait blind alleys of death to the way of peace;
    Gladly we labour, singing the song of our strength,
      The strength of man long-fettered that finds release:

    The splendid body of man; O hand and eye
      Working in trained accord! O flying feet!
    The play of muscle in leg and shoulder and thigh,
      Strong to endure or to strive, sublime, complete:

    Man, who has bound the waters, enslaved the wind,
      Tamed the desolate places, set his span
    O'er the abyss, unconquered and unconfined,
      Spending his strength in toil for the glory of man:

    The climber setting his foot on the perilous slope,
      The hunter driving the wild thing from its lair,
    The traveller steering his course by the star of his hope,
      Never too faint to believe, too weak to dare:

    The fisherman facing the storm while landsmen sleep,
      The swimmer--poised for an instant against the sky,
    Filling the eye with beauty, plunging deep,
      With wet white shoulders thrusting the billows by:

    The airman hovering, sweeping above the hill,
      The engine driving a furrow of flame through the night,
    The long ships breasting the waves,--they are with us still,
      The strong clean things we have made for our heart's delight.

    Strength of the mind and will despising sloth,
      Seeking the task unfinished, the goal unguessed,
    Sowing the seed in faith, entrusting the growth
      To the strength of their children, after their hands have rest:

    Strength of the maker, serving a distant age,
      The poet shaping his dream to a deathless rhyme,
    The doctor fighting disease, the chemist, the sage,
      Grappling with nature, challenging space and time!

    So shall we sing as we labour, till faint hearts hear
      And turn from their sorrow to listen, to cry at length,
    "Lo, we have put away doubt, and cast off fear;
      Come, let us fashion the world to the song of our strength!"


THE DESERTED GARDEN

    Now these are gone, these beautiful playfellows,
    Gone from the green lawns under my balcony,
      Gone, and the house no more, the orchard
        Echoes no more to their happy laughter.

    How oft I watched them playing, the innocent
    Boy friend and girl friend under the cedar-tree,
      Till through the soft dusk rose the twinkling
        Stars, and the lamps in the lane were shining.

    Fair head to dark head leaning and whispering,
    Old games and new games, pirates and Indians,
      Short skirts and bare knees madly racing,
        Climbing aloft on the cedar branches.

    Day comes and night comes, summer and holiday,
    Swift, ah! the bright hours, merry adventurers!
      Tears now, a first shy kiss at parting,
        Tears--and a hand at the corner waving....

    White through the dawn-mist, careless of yesterday,
    Life stretches onward, life the attainable
      White road along dim hills of dreamland;
        Childhood is dead, and the leaves drift over.

    Yet here in bleak house slumbers the memory,
    Here, here in green lawn, orchard and cedar-tree,
      Fair head and dark head, laughter, laughter,
        Evening, and voices across the starlight.




    _G. A. MOSTYN_
    (_BALLIOL_)


LES MISÉRABLES

    Lips burning lips in passionate caress,
      Clasped, slightly swaying, pallid as the moon,
    Two wretches, cleaving to each other, press
      Their aching bodies into semi-swoon.

    All the night through, till the stars droop and fail,
      The girdle of their arms is not undone,
    And when the night is finished, flaccid, pale,
      Two ghosts rise up, and gaze upon the sun,

    And turning from each other go their ways
      Drunken with horror, reeling with sick shame,
    Calling a curse on God for all their days
      Of ravening, all their fierce nights of flame.

    And lo! before the coming of the night
      They meet and greet again in shame's despite.

_September, 1919._




    _A. S. MOTT_
    (_MERTON_)


UMBRA

    I love the shadows of things;
      Pale, grey, patternings
    In the aqueous wonder of dawn:
      Elm branches distort,
      Outrageously wrought
    On a woven texture of lawn.
    Cloud shadows that go
      In stateliest pacing
      Of nebulous gracing
    Down valleys of tumbled loam:
    Faint shapes in the snow
      Intricately interlacing,
      Of moonlight tracing:
    The shifting shadow of foam on foam.




    _K. MOUNSEY_
    (_HOME STUDENT_)


TO A LITTLE HOUSE IN OXFORD

    Through the half-opened door the light streams out
        Across the street,
    And lays a path of gold on stones worn grey
        By passing feet.
    I catch a glimpse of flowers in quaint old bowls
        Standing in gloom,
    And many books on intimate low shelves
        Go round the room.




    _R. M. S. PASLEY_
    (_UNIVERSITY_)


THE DIVER

    I saw a figure standing in the mist
    Dim and alone upon a column's height
    Which fell in marble precipice of white
    Down to the sea. Sudden the clean sun kissed
    His arms wide-stretching to the finger-tips,
    And showed his supple body glistening
    Clear in the naked heaven, and the ring
    Of a gay laugh broke eager from his lips;

    So would I stand upon the dizzy ledge
    When I have lived, shake back my tumbled hair,
    Deliberately toe the empty edge,
    Laugh out my last defiance to the air,
    Then raise my arms, and, drinking one deep breath,
    Eye-open plunge into the sea of Death.




    _V. DE S. PINTO_
    (_CHRIST CHURCH_)


STATION

    Late at night in the station
    It is cold: the gas lamps shine,
    Down-pointing pyramids of yellow light
    In a long, solemn line.

    People are waiting on the platform,
    Pacing to the end and back,
    Or sitting huddled, drowsy, on the seats,
    All dressed in black.

    Their faces look pale and delicate like ivory;
    Far off in the night,
    Like the sinister eye of a wild beast,
    Winks a green light.

    So still, so still: a faint scream in the distance,
    Then silence and the train
    Crashes in, a golden horse, fiercely triumphant,
    Tossing his fiery mane.


SWANS

    You too have seen the great white swans, who glide
    Upon the lonely waters of the world,
    Curving their delicate necks with queenly pride
    Above the shining mirror, wherein is whirled
    All the wild seething mob of human things,
    The riot of men and those strange gods and kings,
    They set up on great golden thrones and crown
    With garlands of bright stars, then drag them down
    Into the mud with fierce tumultuous cries.
    Yes, all these wild reflections soon will pass,
    The drunken laughter and the vast distress,
    And the waters will be clear as polished glass,
    Imaging only calm unruffled skies,
    And the swans will still sail on in their proud loveliness.




    _H. S. REID_
    (_SOMERVILLE_)


A DREAM

    I sailed among the Orcades
    In the green encircling seas.
    So near the isles our nest did glide
    I picked a flower at the waterside;
    And just so quickly were we sped
    That I bruised the stalk and plucked the head.

    There was no foam upon the waves,
    They swelled to glassy hills and caves;
    But foam white were the thorns that grew
    Among the meadow flowers blue.
        Laus tibi Domine,
    That gavest such a dream to me.




    _E. RENDALL_
    (_HOME STUDENT_)


EPITAPH

(FOR JULIA)

    Here lies a Costermonger,
        Tall was she,
    Just the very size you'd wish a
        Christmas tree to be.
    All life long she stood a-hawking
        Small delights,
    Merry scornings, gay good-mornings,
        Kind good-nights.
    Bright balloons of mirth she'd cry you,
        Apples of jest,
    Laces--but you found them heartstrings--
        Of the best,
    Quips and kisses, April laughter,
        Had you a mind
    There were posies--all she sold you
        Paid for in kind.
    Scraps of fun and fluffs of fancy,
        Trayfuls of toys
    For stock-in-trade: for customers
        Grown-up girls and boys.
    Here lies a Costermonger,
        Dark the world to me
    As when they've put the candles out
        On a Christmas tree.




    _D. L. SAYERS_
    (_SOMERVILLE_)


FOR PHAON

WITH "THAT ETERNITIE PROMISED BY OUR EVER-LIVING POET."

    Why do you come to the poet, to the heart of iron and fire,
    Seeking soft raiment and the small things of desire,
    Looking for light kisses from lips bowed to sing?
    Less than myself I give not, and am _I_ a little thing?
    I walk in scarlet and sendal through the dry plains of hell,
    And fine gold and rubies are all I have to sell,
    For I am the royal goldsmith whose goods are all of gold,
    And you shall live for ever like a little tale that is told;
    When kings pass and perish and the dust covers their name,
    And the high, impregnable cities are only wind and flame,
    The insolent new nations shall rise and read, and know
    What a little, little lord you were, because I loved you so.


SYMPATHY

    I sat and talked with you
    In the shifting fire and gloom,
    Making you answer due
    In delicate speech and smooth--
    Nor did I fail to note
    The black curve of your head
    And the golden skin of your throat
    On the cushion's golden-red.
    But all the while, behind,
    In the workshop of my mind,
    The weird weaver of doom
    Was walking to and fro,
    Drawing thread upon thread
    With resolute fingers slow
    Of the things you did not say
    And thought I did not know,
    Of the things you said to-day
    And had said long ago,
    To weave on a wondrous loom,
    In dim colours enough,
    A curious, stubborn stuff--
    The web that we call truth.


VIALS FULL OF ODOURS

    The hawthorn brave upon the green
    She hath a drooping smell and sad,
    But God put scent into the bean
    To drive each lass unto her lad.

    And woe betide the weary hour,
    For my love is in Normandy,
    And oh! the scent of the bean-flower
    Is like a burning fire in me.

    Fair fall the lusty thorn,
    She hath no curses at my hand,
    But would the man were never born
    That sowed the bean along his land!




    _W. FORCE STEAD_
    (_QUEEN'S_)


THE VOICE IN THE NIGHT

(SONGS FROM A LYRICAL DRAMA, "THE BURDEN OF BABYLON")

    Babylon, the glory of the Kingdoms,
      And the Chaldees' excellency,
    Is become as Sodom and Gomorrah,
      Whom God overthrew by the sea.

    Never again inhabited,
      Babylon, O Babylon!
    Even the wandering Arabian
      From thy weary waste is gone.
    Neither shall the shepherd tend his fold there,
      Nor any green herb be grown:
    It cometh in the night-time suddenly,
      And Babylon is overthrown.

    Woeful are thy desolate palaces,
      Where doleful creatures cry,
    And wild beasts out of the islands
      In thy fallen chambers cry.
    Where now are the viol and the tabret?
      But owls hoot in moonlight:
    And over the ruins of Babylon
      The satyr leaps by night.

    Babylon is fallen, is fallen!
      And never shall be known again:
    Drunken with the blood of my Beloved,
      And trampling on the sons of men.
    But God is awake and aware of thee,
      And sharply shines His sword,
    Where over the earth spring suddenly
      The hidden hosts of the Lord:
    Armies of right and of righteousness,
      Huge hosts, unseen, unknown:
    And thy pomp, and thy revellings, and glory,
      Where the wind goes, they are gone.




    _L. A. G. STRONG_
    (_WADHAM_)


AT PUNNET'S TOWN

    A swell within her billowed skirts,
      Like a great ship with sails unfurled,
    The madwoman goes gallantly
      Upon the ridges of her world.

    With eagle nose and wisps of grey
      She strides upon the Westward Hills,
    Swings her umbrella joyously,
      And waves it to the waving mills,

    Talking and chuckling as she goes,
      Indifferent to sun or rain,
    With all that merry company
      The singing children of her brain.


DALLINGTON

    Clouds all tumbled and white,
      Frowning clouds and grey;
    Dallington high on the hilltop,
      Dallington hears what they say.

    "Oh, I have come from the Channel."
      "And I from the Westward Hill
    Where Punnet's Town blinks at the sunset
      Between a mill and a mill."

    "I have showered on field and fallow
      Till I'm empty and dry," says one.
    "I scowled at the people in Cross-in-Hands,
      And was driven away by the sun."

    "Oh, I am primed for a fight,
      And if I can find one more
    To challenge my path in the heavens
      There'll be rumblings and flashes galore."

    "Oh, I have a hatful of hail."
      "And I have a share of sleet."
    "So shall we go cruising to battle
      And rattle it down on their street?"

    Clouds all tumbled and white,
      Frowning clouds and grey;
    Dallington high on the hilltop,
      Dallington hears what they say.


EENA-MENA-MINA-MO

    Eena-mena-mina-mo,
    Catch a nigger by ees toe,
    If 'e olleys, let'n go.
    O-U-T spells out
    And out you must go.
    You'm of it O!

    Children playing on the green:
    Joe Treguddick, deathly ill,
    Hears them very clearly still.

    Silently, with blinking eyes,
    Two great sons have dragged his bed
    To the window, till he dies.

    Now his mind is in his fields
    Where all things lose their certain shape.

    The cows in munching quiet lie,
    And on the orange of the sky
    The trees stand out like scissored crape.

    With deep cool breaths he drinks the night:
    Then, in a sudden sweat of pain,
    He twists upon his bed again.

    The children's voices die away,
    And seldom now the footsteps pass.
    A hobnailed tread upon the road
    Falls sudden silent on the grass.

    Still with throb and throb of pain
    He hears the children at their play
    Chanting insistent in his brain.

    Coughs: and with a whistling breath,
    Though he knows how the count will fall,
    Turns to play a game with Death,

    Turns to the last game of all.

    Eena-mena-mina-mo,
    Catch a nigger by ees toe.
    If 'e olleys, let'n go.
    O-U-T spells out
    And out you must go.
    You'm of it, Joe!




    _D. A. E. WALLACE_
    (_SOMERVILLE_)


IMPROMPTU IN MARCH

    I will cut you wands of willow,
    I will fetch you catkins yellow
        For a sign of March....
    I've a snowy silken pillow
    For my head, you foolish fellow--
        I've no love for March!

    Get me buckles, bring me laces,
    Amber beads and chrysoprases,
        Fans and castanets!...
    Lady, in the sunny places
    I can find you early daisies
        And sweet violets.


IN NEW COLLEGE CLOISTERS

        Time sleeps--
      Hush ye: go light--
        Time sleeps
    By day and by night.
        Be your tread
    Softer than feet of the dead,
        Lest he wake
    And his heart break.

        Stern bells,
      Muffle your chime;
        He dreams--
    Suffer the dreams of Time!
    To the patter of ilex leaves,
    To the sound of birds in the eaves,
    To the sibilant wings of a dove
        Time dreams--of his love.


THE BEGGAR-MAIDEN

    There has come to me a lover,
        O ye winds and waters,
    With a house for my abiding
        Full of looking-glass and silk,
    And a palfrey for my riding
            White as milk,
    And the tresses of kings' daughters
    Spun with pearls, my head to cover!
    There has come to me a lover,
        O ye winds and waters!

    And I kissed him for his kindness
        To a beggar-maiden....
    I, with strong white feet for going
        At my fancy everywhere;
    With the wind of heaven blowing
        Through my hair:
    With my dwelling star-beladen--
    Verily I mocked his blindness!
    But I kissed him for his kindness
        To a beggar-maiden.




    _J. L. WING_
    (_MAGDALEN_)


LOUIS ONZE

    Who is this I see? A King!
    Leaden saints all in a ring
    Round his hat! His gait is slow!
    And his back is bending low!
    This a King? His quivering frame
    Shakes! Pray tell me now his name.
    Louis Onze, it is you say,
    Greatest King of all his day!

       *       *       *       *       *

Transcriber's Notes

Obvious typographical errors have been silently corrected, other
variations in spelling, accents and punctuation are as in the original.

Several poems do not have titles, but are referenced by first line.
These have been left as printed.

The erratum on page 7 has not been corrected to avoid changing the
structure of the book.

Italics are indicated thus _italic_.





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